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How experienced are you at the engineering aspects of music, such as LFOs, EQs, compressors , and limiters? Do you know your way around a basic synthesizer? If your answer leaves much to be desired…. Take a look at some of the exceptional courses offered online on learning music production if you need help finding your way around the topic of music production.

This guide will help you with that. This is important. Some DAWs are more suited toward live performance integration. Others are pretty music just studio software. Another one that some people overlook. Some DAWs are good for electronic music production. Others for recording and engineering instrument tracks.

And still, there are DAWs very suitable for scoring cinematic music for film or jingles. Then, of course, you have DAWs that can handle all of them.

Knowing what type or types of music you work with, helps to narrow down your options, bringing you closer to a decision. But with Windows being more budget-friendly and gaining in processing power, the Windows environment has steadily crept up in becoming just as great as Mac in producing music.

A good read through of this list will give you a basic understanding of how each DAW. Keep in mind that each DAW will have the same basic abilities. In fact, you could pretty much do the same thing on every DAW on this list. What makes a difference is how the functions are presented to you, as well as workflow. This helps you to decide whether or not the virtual workstation environment is suited for your creative and editing requirements.

Ableton Live is a favorite DAW amongst producers. Its workflow is simple and clean, uncluttered, and businesslike. Using this DAW makes you feel like a professional. Ableton is known for turning laptops into computer-instruments and, with the aid of DJ controller , a DJ workstation.

This is thanks to its seamless MIDI sequencing between hardware and software, so much so that these DAWs are considered excellent by the pros in live settings. The latter point is, in fact, the main reason to get Ableton Live. It is also suitable for recording studio conditions. As a music creation software, this DAW is powerful when it comes to loop-based productions, improvisation, and building out song arrangements. It comes stocked with 23 sound libraries for you to start creating music immediately about 50 GB of sound, total, if you get Ableton Live Suite.

Other features include the ability to assign envelops to allow automation and modulation of practically every parameter. If you want high-quality tempo-syncing between tracks and loops without compromising audio in the master output playback, a mode called Complex Warp will be a very useful tool for you.

It comes with its own Sampler and Drum Racks, where you can load, edit, and create custom sample kits. In all, you get a total of nine instruments and 41 effects plugins within the Live Suite. Ableton Live is recommended for users who are already familiar with DAWs. If you are a beginner, however, and are seriously interested in making top quality productions in the future, or eyeing a career as a music producer, buying a copy now and investing the time and money to learn it will prove worthwhile in the end.

Apple Logic Pro X shares space with the veterans of music production software in the business. It has a longstanding tradition that users can rely upon, and continues to be a favorite among established pro level music producers and young producers alike.

Unfortunately, it is only available on on a Mac. However, another benefit is that there is only one version of Logic Pro. While with practically every other DAW on the market there is a choice between versions free, limited, and full versions, with different features for each , there is simply one Logic Pro X, which does everything you want, and for one low cost.

It will be suitable if you are a near beginner to an expert producer scoring for feature films or producing the next hit song.

Hence, this is one of the most complete music production programs to buy. Its interface is easy to understand, making it good for beginners. It comes with Alchemy, a much-loved synthesizer, and a virtual Drummer to lay your drum tracks by utilizing an intuitively designed interactive drum set, just as if you had a real drummer!

Logic also includes a score editor, for those who can read and write music, and would like to print their compositions. It is also compatible with many of the third party VSTs out there, so you can broaden your sonic options. The installation package is just 2 GB, which adds up to 30 GB more that is available online once installed.

No extra purchases required. This DAW has been around in the family since , so it is not new, nor is it old in the sense that Pro Tools and Cubase is. Do not let the baby face fool you, though. This DAW has been responsible for some chart-topping hits in the business. Some of the biggest names in music production swear by it. With tons of tutorials online on how to make trap, future bass, hip-hop, dubstep, etc.

It may be considered the top beat making software among some beat producers, as it comes with its own famous Step Sequencer, where you can create beats, drum loops, and simple melodies easily and simply. The Channel Rack is where your instruments and sound generators go, and it comes with 30 synthesizer plug-ins and various effects to keep you busy for a while.

Steinberg Cubase has been around for years since ! They introduced their own VST plugin format and introduced real-time time-stretching. Added to that, many of the best VSTs and effects plugins you can find are made by Steinberg. Many of the most established producers and composers use and recommend Cubase for its reliability and dependability.

Examples of famous Cubase users are Breach, Zedd, Stimming, Sharooz, Noisia, to name a few, among many feature film scorers and composers. Cubase features a signature key, score, and drum editor. Score Editor allows for music scoring and editing within the DAW, which you can also print. The Drum Editor allows you to create and edit your beats and grooves to precision. Groove Agent is a virtual drum set and kit which gives you 30 drum kits to play with.

Its bundled library sound content consists of over 90 audio and MIDI plugins, and 8 instruments with over 3, sounds and presets. Cubase can be a truly rewarding and exciting DAW to work with. You are not going to be limited by Cubase, but you will be limited by your knowledge of it and how powerful its tools are. If you plan on going all the way in a career as a music producer and composer, and willing to invest serious time learning and mastering your craft, Cubase is the DAW for you and for your home studio.

PreSonus Studio One is becoming a favorite among a growing user base of new producers and veterans alike. It has one of the most beautiful GUI, and oodles of features to keep the creative juices flowing. Studio One is definitely one the best software to make music out there, especially when wondering what is the best digital audio workstation for beginners. It comes with features such as a Scratch Pad, which allows you to jam out ideas on the fly without compromising your arrangement on the arranger window.

Everything about this DAW was designed for user-friendliness, thus making it one of, if not the best music production software for beginners. Studio one was actually developed by former Steinberg developers, hence Cubase users find that the transition is rather fluent. In some ways, even pleasant, as the workflow and design has, according to some, evolved to suit the current paradigm of music production software.

Features include an Inspector Window which gives you immediate access to every control over that track without switching to a new window. Scratch Pads, for getting down your ideas fast without compromising your arrangement. And a Listen Tool: instead of soloing a track, repositioning the playback cursor, and pressing play, simply select the Listen Tool and click on any area you want to listen to.

No need to un-solo or mute anything. Studio One is compatible and works well with both Windows and Mac. You can get a version of it for free called Studio One Prime which you can try. The Artist version is actually perfect for musicians who are still simply interested in making recordings. Propellerhead Reason is a unique addition to this list because of its rack extension feature. If you are an audio engineer, or come from that background, or desire to be more fluent around studio consoles, the layout of this DAW will be more than useful to you.

Music production lecturers, from our experience, seem to love this DAW for that very reason. In using Reason, you get to appreciate the arrangement and setup of an actual recording studio. Its rack extension provides the user with inputs and outputs for setting up their effects plugins, virtual instruments and synthesizers, just as one would in a real studio setup, or as it used to be in the old days before computer-based audio workstations replaced multitrack tape recorders.

This makes Reason also a fun and engaging DAW to use, as it also employs drag-and-drop into its interface, making the workflow and set up smooth for new users. Reason has one of the best mixing consoles among other DAWs, with plenty of plug-ins and virtual instruments to play with. There was once a time when Reason did not support 3rd part plug-ins, which would have been a good … um … reason … to buy another DAW.

But since version 9, users can be comforted by the possibility of implementing their favorite third-party plug-ins. It has an advanced time-stretching and loop integration tool. Installation includes over 3, loops with almost drum and percussion samples. From its humble roots as a low-key piece of shareware, Reaper has become one of the most respected audio programs around.

Since its debut in , Reaper has grown by leaps and bounds, providing a comprehensive environment with everything you need to create full productions. Whether you are looking to record traditional instruments, program virtual synths, or score films, you will find that Reaper provides you with the tools you need to realize your creative vision.

It even comes with comprehensive notation editing features and a full mixing console, letting you take your projects from concept to completion. The interface is decidedly minimalistic and—frankly—a bit boring, particularly if you are accustomed to the slick and ultramodern interfaces of other DAWs. As you get into setting up or recording tracks however, the program reveals itself to be as powerful as any other DAW on the market.

One of the best things about Reaper is how easily instrument and effect parameters can be automated. There is a full set of tools by which you could manipulate and massage audio and virtual tracks, making the program a virtually open-ended playground for sonic exploration.

You can even get deep down into customizing various aspects of the program via ReaScript, which is far more functionality than any other DAW allows.

The mixing console is an especially powerful aspect of the program. Although seemingly basic and inflexible, the mixer lets you work with your audio and MIDI material in numerous creative ways.

Apart from the standard muting, soloing, and panning functions, you can also patch in insert effects, group tracks or parameters, and perform a variety of complex routings. Speaking of effects, Reaper comes with a pretty comprehensive array of plug-in processors, in marked contrast to the absence of bundled instruments.

The reverbs are particularly outstanding, as are the pitch and time correction plug-ins. Version 6 comes with even more of what has made Reaper such a respectable DAW. But those who persist find it to be a tremendously powerful and flexible environment for music production. Although it may not be as simple or as straightforward as other more established DAWs, there is almost no limit to what you can accomplish once you wrap your head around its way of working.

Reaper is an amazingly powerful and flexible music production system that will reward you the more time you spend with it. If you like tweaking your DAW as much as you like working with it, Reaper could be the one for you. Whether or not that title sits well with any other DAW user is irrelevant, at some point of the journey for any music you create or contribute to in some way, once it is released professionally, it will most likely have passed through the desk of a Pro Tools engineer.

This is because Pro Tools is the industry standard, and the Pro Tools file type is about as standard in the music production world as a Microsoft Word document is to word processing world. If you are working toward a professional mixing engineer career, or you want to work in a recording studio, you will need to learn Pro Tools. Not learning Pro Tools would more hurt than help your career.

That said, this is the most advanced DAW out there. Whatever it is you need to be done, Pro Tools will and can do it. With it, you have the ability to compose, record instruments and vocals, mix and edit audio tracks, and master songs and albums, plus whatever else you can think of that involve music and sound production. Any of the plug-ins found in any other DAW is found in this, and chances are they could be better or more advanced in some ways.

Added to the fact that it comes compatible with third-party plug-ins and virtual instruments, and you have a monster DAW. A real professional studio engineer with competence at Pro Tools is a sound engineering wizard. This is not a DAW that pull punches, in terms of sheer processing power and editing ability. Pro Tools is an excellent investment for those who are serious about music production.

Whilst with other DAWs you may become a little insecure and want to switch or try other platforms, this DAW will be with you for a lifestyle. Some drawbacks with Pro Tools is that it can seem a little set in its ways. Being the industry standard means being slow to change. The design principle has yet to enter the same paradigm as many other DAWs, and the workflow is something you have to get used, instead of, in the case of Studio One or Logic, being organically suited for creativity.

It can still be fun to use, as anything can be, yet one gets the impression of professionalism before play with this DAW. You can also check out the audio interface guide for home studio where the Focusrite is mentioned. From the establishment king we arrive at the newest contender to the DAW family. Bitwig came on the DAW scene just in , but it promises to be a very capable production software.

Being a newer DAW, one can expect it to be compliant with modern day design principles, and modern day music production trends, including an emphasis on a workflow structure that enhances creativity. The GUI is similar to Ableton Live, in fact it was created by former Ableton developers, so former Ableton users will find it a clean transition.

You get a DAW with no labels. And it does practically everything any of the other DAWs listed here does. It comes with over 8 GB of presets, sounds, samples from some of the most respected sample labels. Among its 11 virtual instruments, there is the Polysynth, as well as 28 audio effects and 24 devices such as Chain, Replacer, Arpeggiator , and Note Filter. With Bitwig you get a truly modern DAW. It could possibly be for you the best digital audio workstation for you.

Serato is better known for its DJ-focused applications, with a well-deserved reputation for quality and innovation. With the release of Serato Studio, the company takes on the DAW market with its own take on a comprehensive music production suite.

Early indications suggest that Serato may be on to something. It offers many tools that will enable you to get your ideas out quickly, but it also leaves plenty of room to grow. If you are looking for a fresh new take on the tired-and-proven DAW paradigm, Serato Studio might just be the one for you. Fire up Studio for the first time and you might get the impression that it is pretty much like any other DAW on the market.

And in some ways, it does follow many standard DAW conventions. But once you get deeper into its features and capabilities, you begin to get a sense of how different it is from your typical digital audio workstation. There is a decidedly experimental slant to the workflow that encourages creative exploration, and the way you can guide your tracks for maximum expression is truly refreshing.

Every instrument and sample then follows along accordingly. Beat merchants will be glad to know that Studio has a built-in drum sequencer based on the perennially popular drum machine. You can use any of the drum kits that come with the program or import your own drum samples. Putting together melodic content is just as easy with the Note Sequencer, which lets you draw in chord progressions and melodies.

Alternatively, you can record your performances in real-time via a MIDI keyboard or pad controller. As you would expect from Serato, the warping and time-stretching are excellent, with no perceptible artifacts. Users of Serato Studio find it very easy to use and navigate, with only a few minutes required to get around its basic features. Although the program is ideally suited for DJs that want to transition into music production, Studio has a surprisingly sophisticated set of tools that can be used to put together full musical compositions.

Composers find the scenes and song view especially useful for coming up with different arrangements. The ability to put together beats and motifs quickly could, in fact, be its biggest strength. Whether you are a DJ looking to get started creating your own music or you are simply in search of an alternate DAW, Studio deserves a close look.

MOTU Digital Performer is considered by many the best digital audio workstation for composers and film score producers. This DAW has a strong following from many jazz, classical, and orchestral musicians and performers. If you fall into this category, this DAW could be for you as well. When it comes to film scoring or composing entire orchestrated tracks, Digital Performer is considered extremely fast and powerful.

The GUI then is extremely powerful. You can easily switch between sequencer tracks, mixer, and so on. Anyone doing symphonic arrangements knows how frustrating it can be to trigger a note of a string sample, for instance, but the timing is off. Digital Performer has a way of compensating for that by using the Smart Selection option. If you have notes triggered that comes a little before a beat so that the sample plays in time, they will be played and not left out.

As film scorers, none of your notes are going to play super on beat, like in house music, so this is a useful feature. How does this work? What do you do? Keep switching between projects? Or do you keep adding instruments and busses and channels and have a hard time mixing them down? Also, audio editing and mixing is on par with any of the other best DAWs on this list. You still have the ability to do pitch correction and processing, editing loop based music, and control everything within the DAW using automation.

This means a great opportunity for Windows users to get the best of music production film scoring and orchestra or band based music composition on their computer.

Digital Performer Verdict. It really is one of the most powerful and best digital audio workstation you can buy. As a DAW it is one of the most complete all-in-one music production systems you can find for professional level audio, which even includes live performance capabilities.

Not everyone one wanted to work on a Mac, for one reason or the other. That is fair. Samplitude was one of the only options you could find that had the power to produce and process music at the professional level required.

Part of the reason for this led to them not being so popular, as Mac took dominion over the music production industry especially in the US. But in Europe, Samplitude a German made product continues to be immensely powerful.

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